{"id":94,"date":"2013-12-05T14:52:52","date_gmt":"2013-12-05T14:52:52","guid":{"rendered":"https:\/\/blogs.fu-berlin.de\/reenactment\/?p=94"},"modified":"2013-12-11T09:54:53","modified_gmt":"2013-12-11T09:54:53","slug":"inheriting-dances-alternative-histories-remaking-the-minor-work-on-the-global-stage-am-11-12-2013","status":"publish","type":"post","link":"https:\/\/blogs.fu-berlin.de\/reenactment\/2013\/12\/05\/inheriting-dances-alternative-histories-remaking-the-minor-work-on-the-global-stage-am-11-12-2013\/","title":{"rendered":"xxABSAGExx   &#8222;Inheriting Dance\u2019s Alternative Histories: Remaking the \u2018Minor\u2019 Work on the Global Stage&#8220; am 11.12.2013   xxABSAGExx"},"content":{"rendered":"<p style=\"text-align: justify\">AUFGRUND EINES ABGESAGTEN FLUGES DER VORTRAGENDEN F\u00c4LLT LEIDER DER TERMIN ZUM 11.12.2013 AUS.<\/p>\n<p style=\"text-align: justify\">EIN ERSATZTERMIN IST ANGEDACHT UND WIRD HIER KOMMUNIZIERT SOBALD ORT UND ZEIT FESTSTEHEN.<\/p>\n<p style=\"text-align: justify\">WIR BITTEN UNANNEHMLICHKEITEN ZU ENTSCHULDIGEN.<\/p>\n<p style=\"text-align: justify\">\n<p style=\"text-align: justify\">An der Schnittstelle zwischen vielfach kontroversiellen historischen Inhalten n\u00e4hert sich die Dramaturgin und Historikerin Kate Elswit dem Potenzial und der Bedenklichkeit zeitgen\u00f6ssischer Experimente des Tanzgenres.<\/p>\n<p style=\"text-align: justify\">\u201eIn 1975, German choreographer Kurt Jooss created his last dance Dixit Dominus for Swedish-based Indian dancer Lilavati H\u00e4ger. After choreographer Rani Nair reconstructed what is often seen as a \u201cminor\u201d work, she then created Future Memory (2012) to engage more directly with her inheritance, from caring for the personal things and stories that surrounded the piece to re-working its promise of dancing between European and Indian forms.\u201d<\/p>\n<p style=\"text-align: justify\">Vortrag in englischer Sprache.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>AUFGRUND EINES ABGESAGTEN FLUGES DER VORTRAGENDEN F\u00c4LLT LEIDER DER TERMIN ZUM 11.12.2013 AUS. EIN ERSATZTERMIN IST ANGEDACHT UND WIRD HIER KOMMUNIZIERT SOBALD ORT UND ZEIT FESTSTEHEN. WIR BITTEN UNANNEHMLICHKEITEN ZU ENTSCHULDIGEN. An der Schnittstelle zwischen vielfach kontroversiellen historischen Inhalten n\u00e4hert sich die Dramaturgin und Historikerin Kate Elswit dem Potenzial und der Bedenklichkeit zeitgen\u00f6ssischer Experimente des [&hellip;]<\/p>\n","protected":false},"author":1739,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-94","post","type-post","status-publish","format-standard","hentry","category-allgemein"],"_links":{"self":[{"href":"https:\/\/blogs.fu-berlin.de\/reenactment\/wp-json\/wp\/v2\/posts\/94","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.fu-berlin.de\/reenactment\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.fu-berlin.de\/reenactment\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.fu-berlin.de\/reenactment\/wp-json\/wp\/v2\/users\/1739"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.fu-berlin.de\/reenactment\/wp-json\/wp\/v2\/comments?post=94"}],"version-history":[{"count":6,"href":"https:\/\/blogs.fu-berlin.de\/reenactment\/wp-json\/wp\/v2\/posts\/94\/revisions"}],"predecessor-version":[{"id":99,"href":"https:\/\/blogs.fu-berlin.de\/reenactment\/wp-json\/wp\/v2\/posts\/94\/revisions\/99"}],"wp:attachment":[{"href":"https:\/\/blogs.fu-berlin.de\/reenactment\/wp-json\/wp\/v2\/media?parent=94"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.fu-berlin.de\/reenactment\/wp-json\/wp\/v2\/categories?post=94"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.fu-berlin.de\/reenactment\/wp-json\/wp\/v2\/tags?post=94"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}