Library & Resources
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Positions
Ebunoluwa, Sotunsa Mobolanle (2009): “Feminism. ‘The Quest for an African Variant'”, in: The Journal of Pan African Studies, Vol. 3, No. 1, pp. 227-234.
Edmondson, Belinda (1992): “Black aesthetics, feminist aesthetics, and the problems of oppositional discourse”, in: Cultural Critique, No. 22, pp. 75-98.
Fisher, Jean (ed.) (1994): Global Visions. Towards A New Internationalism in the Visual Arts, London, Kala Press in Association with IniVA.
Mekgwe, Pinkie (2010): „Post Africa(n) Feminism?“, in: Third Text, Vol. 24, No. 2, pp. 189-194.
Oguibe, Olu (1997): “Beyond visual pleasures. A brief reflection on the work of contemporary African woman artists“, in: Salah Hassan, Gendered visions. The art of contemporary African woman artists, Trenton, Africa World Press, pp. 63-72.
Reilly, Maura (2010): „Curating Transnational Feminisms“, in: Feminist Studies, Vol. 36, No.1, pp. 156-173.
Shohat, Ella (2002): „Area Studies, Gender Studies, and the Cartographies of Knowledge“, in: Social Text, Vol. 20, No. 3, pp. 67-78.
Shohat, Ella (1999): Talking visions. Multicultural feminism in a transitional age, New York, New Museum of Contemporary Art.
Suleri, Sara (1992): “Woman skin deep. Feminism and the postcolonial condition”, in: Critical Inquiry, Vol. 18, No. 4, pp. 756-769.
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Exhibitions & Catalogues
Black Womanhood. Images, icons, and ideologies of the African Body, (2008): curated by Barbara Thompson, Hood Museum of Art, Dartmouth College.
Déliss, Clémentine, et al. (1995): Seven Stories about Modern Art in Africa, Whitchapel Gallery London, London, Paris and New York, Flammarion.
Hassan, Salah (ed.) (1997): Gendered Visions. The Art of Contemporary Africana Women Artists, Herbert F. Johnson Museum of Art Ithaca, Trenton, Africa World Press.
Reilly, Maura and Nochlin, Linda (eds.) (2007): Global feminisms. New directions in contemporary art, London, Merrell Publishers.
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Varia
Deepwell, Katy (ed.) (2010): “n.paradoxa’s 12 Step Guide to Feminist Art”, in: n.paradoxa Online, Issue No. 21, KT Press.
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