• (by Brandon Keith Brown): Brandon Keith Brown is an award-winning conductor and activist who has been working internationally to high acclaim with numerous orchestras. As an audience favorite and a laureate of the 2012 Sir Georg Solti Competition in Frankfurt am Main, he’s led the Frankfurt Radio, the Rundfunk Sinfonieorchester-Berlin, and the Konzerthaus Orchestra Berlin among others. He is also a teacher, speaker, writer, and consultant on racism in the classical music world. Lectures include engagements at Humboldt University, and UDK. He has published interviews and articles in German and English media (e.g. NPR, Deutschlandfunk, Der Tagesspiegel, Die ZEIT, Medium). He’s been a panelist on Deutsche Welle, interviewed by WDR TV, and recently ARTE. He attended the Oberlin Conservatory of Music, and is a graduate of Northwestern University, and the Peabody Institute at Johns Hopkins University. In the summer term of 2021, Brown will co-teach a seminar on Race and Classical Music in the history department of Freie Universität’s John-F.-Kennedy-Institut. Follow him on Instagram: @brandonkeithbrownconductor, Twitter: @maestrobkb. More articles and interviews: https://brandonkeithbrown.com/interviews%2Fwriting 

• Jessica C. E. Gienow-Hecht (Freie Universität Berlin) and Esteban Buch (EHESS Paris): Seminar Music and Power (summer term 2020, John-F.-Kennedy Institute for North American Studies, Freie Universität Berlin) https://www.fu-berlin.de/vv/de/lv/594238?query=gienow&sm=528624 . (last accessed October 27, 2021)

• (by Steffen Just): Steffen Just (Freie Universität Berlin): Steffen Just is a music, sound
  and media scholar who has served as a fellow at the Berlin Cluster of
  Excellence „Liberal Scripts“ in 2019. As a collaborateur and part of the
  music and human rights network, he has worked with Prof. Gienow-Hecht at
  John-F.-Kennedy-Institut on the global history of music and human rights.
  He teaches popular music history, cultural and media theory at Freie
  Universität, Humboldt University, and the University of Paderborn. In the
  summer term of 2020, he has taught a class „The cultural and media history
  of US-American popular music, 1890-1960“ at John-F.Kennedy-Institut:
  https://www.fu-berlin.de/vv/de/lv/595316?query=steffen+just&sm=528624. (last accessed October 27, 2021)

• Workshop on “Music and Politics”, October 25, 2019 at EHESS Paris, France

• Prof. Danielle Fosler-Lussier (Musicology, Ohio State University) is the author of Music Divided – Bartók’s Legacy in Cold War Culture. Berkeley, California: University of California Press, 2007 and Music in America’s Cold War Diplomacy. Oakland, California: University of California Press, 2015. Danielle and Eric Fosler-Lussier have created a “Database of Cultural Presentations: Accompaniment to Music an America’s Cold War Diplomacy,” version 1.1, last modified 1 April 2015, http://musicdiplomacy.org/database.html. (last accessed October 27, 2021)

• Researchers form the fields of musicology and history, notably Anaïs Fléchet, Barbara Kelly , Philippe Gumplowicz and Martin Guerpin, collaborate in the Research Group “Music and Nation.”  Their research interests comprise “the relationships between music, politics, identity, and cultural diplomacy in the modern era”. http://musiqueetsortiesdeguerres.org/en/home/. (last accessed October 28, 2021)

• Music and Postwar Transitions (19th-20th Centuries) – Martin Guerpin, Université Paris Saclay – Evry. Professor Gienow-Hecht has been invited to contribute an essay with Professor Guerpin for an edited book.

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