- “Of Dreams and Desire: Diplomacy and Musical Nation Branding Since the Early Modern Period.” In International Relations, Music and Diplomacy, ed. Frederic Ramel and Cecil Prévost-Thomas. London: Palgrave, 2018, pp. 259-274, https://link.springer.com/book/10.1007/978-3-319-63163-9.
- “The World Is Ready To Listen: Symphony Orchestras and the Global Performance of America,” Diplomatic History. Forum “Musical Diplomacy: Strategies, Agendas, Relationships”. Diplomatic History 36, 1 (January 2012): 17-28.
- “Hier sprechen die Steine nicht: Die ‘Amerikanisierung’ des Musikkritikers H. H. Stuckenschmidt.” America on my Mind: Amerkianisierung der deutschen Kultur seit 1945. Ed. Alexander Stephan und Jochen Vogt. Paderborn: Wilhelm Fink Verlag, 2006.
- “Emotionale Wahlverwandtschaften: Musik und Emotion in den internationale Beziehungen seit 1850.” Erneuerung und Erweiterung einer historischen Disziplin. Eds. Eckart Conze, Guido Müller and Ulrich Lappenküper. Cologne and Vienna: Böhlau, 2004, 197-229.
- “Whose Music Is It Anyway? The Limits of Transnational Culture in the Nineteenth Century.” Straddling Borders: The American Resonance in Transnational Identities. Ed. Rob Kroes. Amsterdam: VU University Press, 2004, S. 34-50.
- “Trumpeting Down the Walls of Jericho: The Politics of Art, Music and Emotion in German-American Relations, 1870-1920.” Journal of Social History 36, 3 (Spring 2003): 585-613.
- “Art Is Democracy and Democracy Is Art. Culture, Propaganda, and the Neue Zeitung in Germany, 1944-1947.” Diplomatic History 23 (Winter 1999): 21-43.
Music and Human Rights
The Quest for Harmony: Classical Music, Emotion, and the Discourse of Human Rights in the United States since World War Two