From Subjects to Cyborgs

A seminar blog

The work of the imagination

Bayart (2004) and Appadurai (1996) may be read as attempts at grasping the ways in which the production of subjectivity takes place in the global age. Bayart talks about the practices of appropriation (p. 209) at work. They are a paradox, in that they affirm and deny the techniques of domination. These practices often find, according to Bayart, a realization in objects, i.e. merchandise, or spaces such as malls. Appadurai is quoted by Bayart as an example of an inherently optimistic view of the ways subjectivity is produced under conditions of globalization (p. 215). Modernity at Large is part of a debate that, indeed, was not primarily concerned with the darker aspects of globalization, made an effort to rehabilitate the concept of globalization as something that was more than mere increase of global commodity flows and financial interdependence. In chapter 9 of this essay collection Appadurai focuses on the ways in which local subjects are produced and produce locality, i.e. neighbourhoods. This production of locality underlies a similar paradox as Bayart’s practices of appropriation – neighbourhoods are context-providing as well as context-generative. They are produced by the practices of the subject.

IMAGINATION_by_archanN

Life in the minds of children by archanN CC-BY from Wikimedia Commons

A key role – and this goes for both texts – is played by something that Appadurai calls the “work of the imagination” (198). Appadurai details this further in an earlier chapter of his book. He introduces the work of the imagination as “a constitutive feature of modern subjectivity” (3) which in the past decades has become “a collective, social fact” (5). What does he mean by that? The ability to imagine is no longer just present in arts and myths, imagining is not merely a solitary and extraordinary activity but a prevalent and essential social skill. The modern world relies on imagination to reproduce itself – as the reality of the world is socially constructed. At the same time the relationship between ritualized and imaginative activities has become much more dynamic. The projective nature of imagination introduces a plurality of imagined worlds into the everyday life of ordinary people. The parallel existence of these multiple worlds is amplified by mass media and provokes resistance, irony, selectivity, and, in general, agency (7).

“The imagination is today a staging ground for action and not only escape.” (7)

Applying this argument to Bayart’s analysis provides an interesting perspective. Appropriation than appears as a creative activity in which the techniques of domination are translated into local and individual techniques of the body. Merchandise acquires meaning, places are created and maintained. In all these cases imagination is a collective, sometimes even social activity (211). I have argued, imagination as a social skill has some stabilizing and some dynamic potential. In the end, the active, conscious use of the imagination may infer radical change while the passive and uncreative use of it serves to reproduce the existing. What do you think? Does the idea of giving imagination such a central place make sense to you?

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Der Beitrag wurde am Wednesday, den 1. June 2016 um 15:26 Uhr von Ulrike veröffentlicht und wurde unter Debate abgelegt. Sie können die Kommentare zu diesem Eintrag durch den RSS 2.0 Feed verfolgen. Sie können einen Kommentar schreiben, oder einen Trackback auf Ihrer Seite einrichten.

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